Jörg Loeffke has no idea. In his series “Exit”, the photographer doesn´t answer any questions, he more likely poses them. In Kosovo, he travelled with his camera on behalf of help-organizations to document people ´s lives.

In all its prosaicness, Loeffke says, this was also exotic. Now he wanted to do without that for once and chose a downright German issue: the Autobahn.

Rivkah Youngs work plays with the past and the present. Using pictures from her fathers archive, she paste herself in images from her childhood.
Her present ego meets her past ego, in situations long ago. Rivkah Young puts her, especially for this body of work photographed portraits mostly to the margin of the image. More or less belonging to her family. She changes her mood, according to the persons at the pictures. In come images she is a part of the family, on others she is a disturbing property, or a self observing person.